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The Martian Chronicles (YA/Adult)

1997, edition of The Martian Chronicles
Martian Chronicles. Ray Bradbury. HarperCollins. 1997 edition. 288 pages.
One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs, along the icy streets.
And then a long wave of warmth crossed the small town. A flooding sea of hart air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns.
Rocket summer. The words passed among the people in the open, airing houses. Rocket summer. The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground. Rocket summer. People leaned from their dripping porches and watched the reddening sky. (1)
The 2012 Mass Paperback of The Martian Chronicles
I LOVE, LOVE, LOVE Ray Bradbury's The Martian Chronicles. This is the second or third time I've read this one. And each time I read it, I end up loving it even more. It's like each time I'm surprised by how much I love it. Like in between readings I forget how engaging and compelling it is. I settle into thinking that it was just me exaggerating things (again). That it couldn't possibly be that good. But no. It is that good.

The edition I read this time had twenty-seven stories; some of these 'stories' are just vignettes, or short preludes, transition pieces of a paragraph or two. But many are full-length stories. There are some great stories in this one.
  • January 2030 Rocket Summer
  • February 2030 Ylla
  • August 2030 The Summer Night
  • August 2030 The Earth Men
  • March 2031 The Taxpayer
  • April 2031 The Third Expedition
  • June 2032 --And the Moon Be Still as Bright
  • August 2032 The Settlers
  • December 2032 The Green Morning
  • February 2033 The Locusts
  • August 2033 Night Meeting
  • October 2033 The Shore
  • November 2033 The Fire Balloons
  • February 2034 Interim
  • April 2034 The Musicians
  • May 2034 The Wilderness
  • 2035-2036 The Naming of Names
  • April 2036 Usher II
  • August 2030 The Old Ones
  • September 2036 The Martian
  • November 2036 The Luggage Store
  • November 2036 The Off Season
  • November 2036 The Watchers
  • December 2036 The Silent Towns
  • April 2057 The Long Years
  • August 2057 There Will Come Soft Rains
  • October 2057 The Million Year Picnic
1950 edition of The Martian Chronicles
I wasn't aware that there were different editions of this one, and that the stories could vary depending on the edition. Also the dates have been modified (by thirty years) in some editions, like the edition I read this time around. The very, very newest edition has the original dates, 1999-2026. This newest edition does not have "The Fire Balloons." Also, instead of "The Wilderness" it has "Way in the Middle of the Air."

My thoughts on individual stories, and, first sentences from the stories

"Ylla"
They had a house of crystal pillars on the planet Mars by the edge of an empty sea, and every morning you could see Mrs. K eating the golden fruits that grew from the crystal walls, or cleaning the house with handfuls of magnetic dust which, taking all dirt with it, blew away on the hot wind.
A story told solely from the perspective of the Martians, in this case, a husband and wife. A husband has a very definite reaction to his wife's strange dreams. She dreams of a man, Nathaniel York, coming in a ship, in a rocket, and landing. The dream even tells her where and when. But her controlling and perhaps jealous husband has a way of dealing--for once and for all--with his wife's dreams.

"The Earth Men"
Whoever was knocking at the door didn't want to stop. Mrs. Ttt threw the door open. "Well?"
The story of the second expedition. Let's just say that the welcoming committee wasn't quite what they expected! First, NO ONE wanted to bother with them, then they were greeted by a strange assortment of Martians all claiming to be from Earth. And then....well, that wouldn't be polite of me to spoil it!


"The Third Expedition" (aka Mars is Heaven)
The ship came down from space. It came from the stars and the black velocities, and the shining movements, and the silent gulfs of space. It was a new ship; it had fire in its body and men in its metal cells, and it moved with a clean silence, fiery and warm. In it were seventeen men, including a captain. 
This one is a classic short story that you may have stumbled across in another context from The Martian Chronicles. (I've heard two radio adaptations, for example.) And the title is self-explanatory. It is the story of what happens when the third expedition lands. It is the story of what they see and  WHO they see. It is a story that stretches you, perhaps. But it's a good one!

"--And the Moon Be Still As Bright"
It was so cold when they first came from the rocket into the night that Spender began to gather the dry Martian wood and build a small fire. He didn't say anything about a celebration; he merely gathered the wood, set fire to it, and watched it burn.
And now we're on to the fourth expedition, the fourth rocket ship to successfully land on Mars. This time they manage to stay alive past the initial day or two or three. This is the story of what happens when one of the crew members, Spender, goes off on his own to learn the Martian culture, to explore the ruins, to explore the cities, to examine the artifacts and remnants of a culture that is gone with the wind. What happens next...well....there are a million reasons why readers shouldn't sympathize with Spender, but, like Captain Wilder, they may feel the pull all the same.

"The Settlers"
The men of Earth came to Mars. They came because they were afraid or unafraid, because they were happy or unhappy, because they felt like Pilgrims or did not feel like Pilgrims. There was a reason for each man. They were leaving bad wives or bad jobs or bad towns; they were coming to find something or leave something or get something, to dig up something or bury something or leave something alone. They were coming with small dreams or large dreams or none at all.
One of my favorite vignettes. For some reason it reminds me of John Steinbeck.

"Night Meeting"
Before going on up into the blue hills, Tomas Gomez stopped for gasoline at the lonely station.
There is something haunting and fantastical about this short story of a human and Martian meeting and not exactly seeing the same reality.

"The Fire Balloons"
Fire exploded over summer night lawns. 
 I first read "The Fire Balloons" in another collection of Ray Bradbury stories. I didn't, at the time, see it as being part of The Martian Chronicles. (And, in fact, it wasn't part of the edition I first read.) But now it is one of my favorite stories! In it two priests go to Mars as missionaries. One at least was expecting, was hoping, to meet Martians, to actually BE a missionary TO Martians, to an alien species. So when given the opportunity of going out into the hills and trying to communicate with blue balloon-like hovering creatures OR ministering to humans who have migrated to Mars, the answer is clear to Father Peregrine. But do the Martians need his church? This story has one of my favorite quotes:
"Father Peregrine, won't you ever be serious?"
"Not until the good Lord is. Oh, don't look so terribly shocked, please. The Lord is not serious. In fact, it is a little hard to know just what else He is except loving. And love has to do with humor, doesn't it? For you cannot love someone unless you put up with him, can you? And you cannot put up with someone constantly unless you can laugh at him. Isn't that true? And certainly we are ridiculous little animals wallowing in the fudge bowl, and God must love us all the more because we appeal to His humor."
 "The Wilderness"
Oh, the Good Time has come at last--
It was twilight and Janice and Leonora packed steadily in their summer house, singing songs, eating little, and holding to each other when necessary. But they never glanced at the window where the night gathered deep and the stars came out bright and cold.
This is another story that I ended up loving. And it was new-to-me too, it not being part of the original. But in this story we meet two women who are about to travel to Mars to get married and settle down. (The men having gone first.) The story likens exploring and settling Mars to exploring and settling the Old West (places like Wyoming, California, Oregon, etc.) It is about how the two handle their last night on Earth.
Is this how it was over a century ago, she wondered, when the women, the night before, lay ready for sleep, or not ready, in the small towns of the East, and heard the sound of horses in the night and the creak of the Conestoga wagons ready to go, and the brooding of oxen under the trees, and the cry of children already lonely before their time?...Is this then how it was so long ago? On the rim of the precipice, on the edge of the cliff of stars. In their time the smell of buffalo, and in our time the smell of the Rocket. Is then then how it was? And she decided, as sleep assumed the dreaming for her, that yes, yes indeed, very much so, irrevocably, this was as it had always been and would forever continue to be. 
"Usher II" (aka Carnival of Madness)
"During the whole of a dull, dark and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of evening drew on, within view of the melancholy House of Usher..." Mr. William Stendahl paused in his quotation. There, upon a low black hill, stood the house, its cornerstone bearing the inscription: 2036 A.D.
I remembered this as being one of the stories in A PLEASURE TO BURN, a Ray Bradbury collection celebrating the creative stories leading up to the writing/publishing of Fahrenheit 451. And it was first published as "Carnival of Madness." But it was also part of Ray Bradbury's book, The Martian Chronicles. And it is perhaps one of the most memorable of the collection. It is a true must read for anyone who loves Fahrenheit 451, for it continues on some of the same themes. I don't want to say too much about it really, because it shouldn't be spoiled at all if you want to get the full enjoyment of it!

"The Martian"
The blue mountains lifted into the rain and the rain fell down into the long canals and old LaFarge and his wife came out of their house to watch. 
An elderly couple have come to Mars and one night they are surprised by the appearance of their "son" (who died and was buried back on Earth). Their "son" doesn't want to leave the house, and is enjoying his family too much to risk getting "trapped" by going into the city and interacting with others. This story is creepy.

"The Luggage Store," "The Off Season," "The Watchers," "The Silent Towns," "The Long Years," "There Will Come Soft Rains," and "The Million Year Picnic."

These stories, I feel, work best as a sequence showing what happens both on Earth and Mars when the worst happens--atomic war on Earth. In "The Luggage Store," one speculates that his business will improve greatly if the war happens, if the worst happens. He feels that everyone will want to go back home to Earth to be with their loved ones, to find out if their loved ones are okay, to try to piece their society and civilization back together. In "The Off Season" readers learn that the war has started and the destruction has begun. There is nothing truly comical about it, but, it does happen to be told from the point of view of a man who has just opened a hot dog stand. "The Watchers" shows the people leaving Mars to return to Earth--for better or worse. "The Silent Towns" and "The Long Years" are two stories set on Mars. The first, "The Silent Towns" is told from the point of view of a man who chose to stay behind. He's lonely, but not THAT lonely it turns out. He does meet one woman who stayed behind, but, he decides that his own company is enough after all. "The Long Years" sees the return of Captain Wilder, I believe, who discovers a man and his family. There is a twist, however, which prevents this one from being a happy story. "There Will Come Soft Rains" is a very, very, very lonely story where we get a glimpse--just a small glimpse perhaps--of the desolation and destruction of life as we know it in at least one human city. We see the ending of an era, perhaps. There are no human characters in this one. "The Million Year Picnic" resonates even more when seen back-to-back with "There Will Come Soft Rains." In this story, readers meet a family: parents and sons who have come to Mars on their own private Rocket--a rocket that has been hidden away for many years, a rocket that has been saved for a true emergency. We meet a father who has prepared for THE END in a big, big way.

Read The Martian Chronicles
  • If you love science fiction
  • If you like science fiction
  • If you enjoy short stories; if you don't enjoy short stories
  • If you are a fan of Ray Bradbury
  • If you are a fan of the Twilight Zone

© 2012 Becky Laney of Becky's Book Reviews

Strangers on a Train

Strangers on a Train. Patricia Highsmith. 1950. 281 pages.

The train tore along with an angry, irregular rhythm. It was having to stop at smaller and more frequent stations, where it would wait impatiently for a moment, then attack the prairie again.

Strangers on a Train was both compelling and repelling. On the one hand, I think the characterization of the "hero" (Guy Haines) and his nemesis (Charlie Bruno) was intriguing. Disturbing and super-creepy, but effectively so. I think the whole point of the novel was to show what could be lurking deep inside (or not-so-deep inside, perhaps just barely under the surface) of the person sitting next to you, the stranger.

Guy Haines is an architect taking a not-so-pleasant trip back to his small hometown in Texas. He meets a stranger on a train. The stranger--Charles Bruno--asks him to join him for dinner and a couple of drinks. Guy doesn't really want to be social. He's feeling cranky and anti-social. He's thinking about his wife, Miriam, who is carrying another man's baby, and his girlfriend, Anne, who happens to be going to Mexico on vacation. He isn't in love with his wife--they've been separated quite a while. He's anxious to get a divorce more than anything else. He's not at his emotional best though. So reluctantly, perhaps to avoid thinking or over-thinking things, he agrees to spend some time with this stranger. This was his first mistake, the mistake that would cost him almost everything in the end.
Why? Well, Bruno is all kinds of evil. And he's not even all that subtle about being evil and creepy.  I mean here is a guy that goes around muttering about how he wants to murder his father, how he has all these plans and schemes to kill his father, how he's just looking for the best way to kill his father so that he doesn't get caught. It's like he's got a one-track mind, and murder is all he can talk about. I honestly can't remember if the dialogue went from "do you want to have a drink with me?" to "do you want to kill my father for me?" in a matter of seconds, minutes, or hours. But. Guy has all the signs right in front of him that he should have been able to read properly. But. For whatever reason, he stays, he listens, he doesn't react. Somehow or other--perhaps before the murder babbling begins--Bruno learns that Guy is on a trip to see his wife. He also learns that she's pregnant. That she's been cheating on Guy for quite a while. Did Guy volunteer all this information willingly? Or did it come out piece by piece by piece by piece? Did Bruno keep pestering him with questions? Well, I'm not sure. Even if it was voluntary on his part. Even if Guy was talking about his wife, it was not with the intent that the stranger on the train should kill her. Because as Guy learns, this is where the conversation is headed. Bruno has  a plot, a plan. He would just love, love, love to kill Miriam. It would make him oh-so-happy to do this as a complete-and-total favor for his new-best-buddy, Guy. Haines was so not expecting this ultra-weird, ultra-creepy offer. And he does say, no, thank you, I don't want my wife murdered. And, I'm not the murdering type. I don't know what you think you see in me. But I'm not the guy. I'm not the one you want to kill your father. I don't want to murder anyone, anywhere. But the obsession has become all-too-firmly-planted in Bruno's mind.

Strangers on a Train is a tragic suspense, a psychological thriller. Haines' sanity is tested in the upcoming months after Bruno murders his wife, after Bruno continues to haunt him--first by letters, then in person. Wherever he goes, Bruno is there watching him, trying to talk to him, trying to coerce or bully him into murdering his father. Bruno starts pestering the people close to him too. Bruno is an obsessed stalker-blackmailer with a history of murder. Haines is worried what will happen if he doesn't murder Bruno's father.

Strangers on a Train reminded me so very much of Frankenstein by Mary Shelley. Except that the creature-figure Bruno is so not sympathetic not by any, any, any stretch of the imagination. And the Victor-Frankenstein-figure, Guy Haines, is actually sympathetic for most of the novel.

To read more of my thoughts, visit my GoodReads review.

Read Strangers on a Train
  • If you're looking to read a classic mystery/suspense/thriller novel of the 1950s
  • If you've seen the movie and are interested in now reading the book
  • If you enjoy psychological elements in your novel; Highsmith created some twisted, disturbed characters
© 2012 Becky Laney of Becky's Book Reviews